타자; 탈식민주의; 동양과 서양; 광야; 노래; 천년; 동양담론; 탈주의식; 제국주의; 지금-여기; Otherness; post-colonialism; East and West; wilderness; song; a million years; orient-discourse; the escape consciousness; imperialism; now-here; Otherness; post-colonialism; East and West; wilderness; song; a million years; orient-discourse; the escape consciousness; imperialism; now-here
한국문학이론과 비평, v.15, no.2, pp.41 - 63
Through the spatial extension from the north and the extension of time from the beginning, Yi Yuk Sa' poetry is shown to escape from the <now-here>. His northern consciousness songs the restoration of the continental origin that the subjective capacity is vast and the restoration of historical origins that the nation started from the beginning of time. Eventually the world of the future is revealed in the ancient world as an ideal world. The ancient world is recovered as the mirror of the world of the future.
Yi Yuk Sa breaks down the dichotomous structure such as history and poetry, reality and fantasy, West and East. He shows confucian consciousness by consistency of poetry and action. Or he suggests the belief for the revelation of the ancient world. Then his text shows the post-colonialism. By breaking the structure of the East and the West, his poetry will embodiment the anti-imperialism.
This Yuk Sa' history of life informs the uniqueness of our culture and reveals political and cultural closely with china. Such things are one of the formats treat to the central logic of East Asian cooperation.